These Haunting Photos Capture The Daily Reality Of A Dark Episode In U.S. History

The Huffington Post  | by  Braden Goyette

http://www.huffingtonpost.com/2014/04/16/ansel-adams-manzanar_n_5155579.html?ncid=fcbklnkushpmg00000010

Posted: 04/16/2014 11:44 am EDT Updated: 04/16/2014 4:59 pm EDTar Photos Japanese Americans Ansel Adams Photography Ansel Adams Manzanar Ansel Adams Japanese Internment Japanese Internment World War II Manzanar Ansel Adams

In 1942, still reeling from the attack on Pearl Harbor, the U.S. government ordered thousands of Japanese Americans to leave their homes behind and take up residence in remote detainment camps. About two thirds of them were U.S. citizens.
The most famous of the camps, located in California's Owens Valley, was called the Manzanar War Relocation Center.

Starting in the fall of 1943, photographer Ansel Adams chronicled the day-to-day existence of the people held at Manzanar. He was distressed that the lives of American citizens had been uprooted in such a way, and strove to capture on film the humanity of the detainees as they faced dehumanizing circumstances. "Nothing is more permanent about Manzanar than the dust which has lodged in its tar-papered barracks, except the indelible impression incised on the lives of thousands of its inhabitants," Adams wrote.
Adams is mostly remembered for his art photography -- but what's less often remembered are his works of documentary photography during the war.
The photographs were exhibited in 1944 at the Museum Of Modern Art, and published in book form under the title "Born Free And Equal: The Story Of Loyal Japanese-Americans." In the preface to the book, Adams wrote:

This book in no way attempts a sociological analysis of the people and their problem. It is addressed to the average American citizen, and is conceived on a human, emotional basis, accenting the realities of the individual and his environment rather than considering the loyal Japanese-Americans as an abstract, amorphous, minority group... Throughout this book I want the reader to feel he has been with me in Manzanar, has met some of the people, and has known the mood of the Center and its environment -- thereby drawing his own conclusions -- rather than impose upon him any doctrine or advocate any sociological action.

The U.S. eventually apologized for the internment of Japanese Americans in 1988, and admitted it was "motivated largely by racial prejudice, wartime hysteria, and a failure of political leadership." Now, more than 70 years after Adams visited Manzanar, we can still take a tour of the camp through his lens.

• Ansel Adams via Library Of Congress
  Mrs. Naguchi And Two Children
• Ansel Adams via Library Of Congress
  Calisthenics
• Ansel Adams via Library Of Congress
  Entrance To Manzanar
• Ansel Adams via Library Of Congress
  Louise Tami Nakamura
• Ansel Adams via Library Of Congress
  Mess Line, Noon
• Ansel Adams via Library Of Congress
  Michael Yonemetsu, [i.e., Yonemitsu] X-Ray Technician
• Ansel Adams via Library Of Congress
  Nurse Aiko Hamaguchi, Patient Tom Kano
• Ansel Adams via Library Of Congress
  Pictures And Mementoes On Phonograph Top, Yonemitsu Home
• Ansel Adams via Library Of Congress
  Mrs. Kay Kageyama
• Ansel Adams via Library Of Congress
  Monument In Cemetery
• Ansel Adams via Library Of Congress
  Farm Workers, Mt. Williamson In Background
• Ansel Adams via Library Of Congress
  Baton Practice, Florence Kuwata
• Ansel Adams via Library Of Congress
  In Biology Class, High School, Kiyo Yoshida, Lillian Wakatsuki, Yoshiko Yamasaki
• Ansel Adams via Library Of Congress
  Tom Kobayashi