Dmitri Shostakovich
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"Shostakovich" redirects here. For the conductor and son of Dmitri Shostakovich, see Maxim Shostakovich.
This name uses Eastern Slavic naming customs; the patronymic is Dmitriyevich and the family name is Shostakovich.
Дми́трий Дми́триевич Шостако́вич (help·info), tr. Dmitrij Dmitrievič Šostakovič, pronounced [ˈdmʲitrʲɪj ˈdmʲitrʲɪɪvʲɪt͡ɕ ʂəstɐˈkovʲɪt͡ɕ]; 25 September[1] 1906 – 9 August 1975) was a Russian composer and pianist, and a prominent figure of 20th-century music.[2]Shostakovich achieved fame in the Soviet Union under the patronage of Soviet chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the government. Nevertheless, he received accolades and state awards and served in the Supreme Soviet of the RSFSR (1947–1962) and the Supreme Soviet of the Soviet Union (from 1962 until his death).
After a period influenced by Sergei Prokofiev and Igor Stravinsky, Shostakovich developed a hybrid style, as exemplified by Lady Macbeth of the Mtsensk District (1934). This single work juxtaposed a wide variety of trends, including the neo-classical style (showing the influence of Stravinsky) and post-Romanticism (after Gustav Mahler). Sharp contrasts and elements of the grotesque[3] characterize much of his music.
Shostakovich's orchestral works include 15 symphonies and six concerti. His chamber output includes 15 string quartets, a piano quintet, two piano trios, and two pieces for string octet. His piano works include two solo sonatas, an early set of preludes, and a later set of 24 preludes and fugues. Other works include three operas, several song cycles, ballets, and a substantial quantity of film music; especially well known is The Second Waltz, Op. 99, music to the film The First Echelon (1955–1956).[4][5]
http://en.wikipedia.org/wiki/Dmitri_Shostakovich
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